Kickin’ off Artistic Residencies: The Purple, Red, Yellow, Blue and Green Team

The artistic teams started working together in periods of residencies: first off were the Purple Team in Dresden (Germany), the Red Team in Jesi (Italy) and the Yellow Team in Pesaro (Italy). Then at the end of July came the Blue Team in Ljubljana (Slovenia), and the Green Team is planning their first residency in Novi Sad (Serbia) in December.

The Purple Team

From March 12th to 19th, Sonia Antinori (MALTE - Musica Arte Letteratura Teatro Etc) and Matilda Klamas & Sara Östebro (Teater Nu) gathered at Zentralwerk e.V. for the first TestArt artistic residency, shaping the foundation of an upcoming theatre piece.
The process began with a shared reading of letters produced as a preparation for the residency, revealing recurring themes—belonging, time, routine, and mortality. These letters became the foundation for improvisations, character explorations, and writing exercises, all circling around the idea of “how to live.”
Between yoga sessions, deep discussions, and a visit to Hellerau, they shaped the structure of the performance: the script will be written by Sonia Antinori (MALTE) and Matilda Klamas (Teater Nu), and it will be performed by the actor Andrea Caimmi from Italy and an actress from Sweden (TBA).
A big thank you to the team of Zentralwerk – Barbara Lubich, Bettina Lehmann, Christian Palmizi and Andreas Grossmann – for hosting and to the artists Sonia Antinori, Matilda Klamas, Andrea Caimmi and Sara Östebro for the intense creative work!
Performances are about to take place in Dresden in the spring of 2026. Stay tuned!

The Red Team

The Red Team, composed by Teatar Mladih Mišolovka (Serbia) and Fondazione Pergolesi Spontini (Italy) carried out their first artistic residency from 3rd to 9th June at Teatro Moriconi in Jesi.
“𝘞𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘺𝘰𝘶𝘯𝘨 𝘢𝘳𝘵𝘪𝘴𝘵𝘴 𝘧𝘳𝘰𝘮 𝘚𝘦𝘳𝘣𝘪𝘢, 𝘢 𝘤𝘰𝘶𝘯𝘵𝘳𝘺 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘱𝘳𝘰𝘵𝘦𝘴𝘵 𝘦𝘷𝘦𝘳𝘺 𝘥𝘢𝘺, 𝘴𝘢𝘭𝘢𝘳𝘪𝘦𝘴 𝘢𝘳𝘦 𝘥𝘦𝘤𝘳𝘦𝘢𝘴𝘪𝘯𝘨, 𝘵𝘩𝘦𝘳𝘦 𝘪𝘴 𝘭𝘪𝘵𝘵𝘭𝘦 𝘴𝘱𝘢𝘤𝘦 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘢𝘳𝘵 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘦𝘯𝘵𝘪𝘳𝘦 𝘴𝘺𝘴𝘵𝘦𝘮 𝘴𝘦𝘦𝘮𝘴 𝘵𝘰 𝘣𝘦 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘪𝘯𝘨. 𝘠𝘦𝘵, 𝘸𝘦 𝘱𝘦𝘳𝘴𝘦𝘷𝘦𝘳𝘦, 𝘸𝘦 𝘢𝘥𝘢𝘱𝘵 𝘢𝘯𝘥 𝘸𝘦 𝘧𝘪𝘯𝘥 𝘢 𝘸𝘢𝘺 𝘵𝘰 𝘣𝘦 𝘰𝘱𝘵𝘪𝘮𝘪𝘴𝘵𝘪𝘤 𝘢𝘯𝘥 𝘦𝘷𝘦𝘯 𝘫𝘰𝘺𝘧𝘶𝘭”
The show will be Petra's, Emilija's and Vasilije's personal reflection on what it means to make theater today in the “small, chaotic Serbia” and it will debut in Jesi in early 2026, as a world premiere.
By combining different performing languages, they want to inspire the audience to transform worries into “veselje”, a Serbian word that means "joy for no particular reason".

The Yellow Team

At the beginning of June, the Yellow Team, formed by PotatoPotato (Sweden) and AMAT (Italy) had their first artistic residency in Pesaro.
“Can you see it? It's there, we just forgot” it's a phrase you'll hear often in this soon-to-be new theatre production.
Between guided tours, bees, Pizza Rossini and an "unusual" artistic research, the team promises a ground-breaking work on society.

The Blue Team

Hamlet or the FOMO is officially born in Ljubljana!
The Italian companies Collettivo Collegamenti and Asini Bardasci have launched their new transnational production at the Stara Mestna Elektrarna cultural space, hosted by Bunker.
What does it mean to be a #performer today?
The Team explored the themes of doubt, paralysis, performance and social pressure through their bodies, sounds, and voices.
Their contemporary Hamlet is an archetype that draws on philosophical reflections on Kierkegaard's drama of choice, Bauman's liquid modernity and Colamedici Gancitano's performance society, in which "to be or not to be" is no longer a question but a daily imperative that seems to engulf our existence.

The Green Team

The Team, formed by Centripeta (Italy) and Šok Zadruga - LED ART (Serbia) is planning their artistic residency from 8th to 14th December, to be held in Novi Sad (Serbia).  CENTRIPETA’s artistic research has always been focusing on questioning our time, trying to formulate questions that can be meaningful. Art is political engagement; art must be political engagement. LED ART is coming from a very long and relevant history in art as a political statement, a political provocation. They started at the end of last century with big live performances in Novi Sad and elsewhere using art as a political tool to question politicians and citizens.
Having this clear, the Team chose to focus on the current political state in Serbia, trying to understand what they can tell us, all Europe and the world.
Keep following us for updates on the upcoming residencies!
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Dresden: a study visit focused on team-working

From 12th to 14th February, partners are gathering once again to continue their capacity building process and to connect with local and other international artists and cultural operators.

This upcoming study visit will be held in Dresden, Germany, and organized by the partner Zentralwerk.

This event comes after the formation of creative groups, meaning the 5 teams that will be working together in artistic residencies to co-create a new transnational production each. You can see the teams on the Creative Profile Map published on this website.

The teams already started planning and brainstorming, but the Dresden visit will be a useful time to improve their team working as part of the capacity building.

Besides the Team-working activities, the three days include a steering committee meeting, networking opportunities and events and visits of the city and Zentralwerk's space, all happening in close relation to the FORUM 13 event, with which TestArt will intersecate its initiatives.

The historical context of Remembrance

The study visit takes place during a crucial date for the city: on 13th February, Dresden remembers the Anniversary of its destruction in 1945.

The destruction of Dresden became a worldwide symbol for military action against civilian populations. Even today, the fate of Dresden is named as an example for many comparable attacks during this and the various wars which have followed. At the same time, memories of the destruction have shaped the image of the city throughout the world.

Since 1945, a strong and multi-faceted culture of remembrance has developed in Dresden, preserving above all the desire for peace of the post-war generations, and creating a framework for reconciliation with former wartime enemies.

The date 13th February 1945 thus stands in the controversy-laden context of a debate with significance far beyond local boundaries. More than simply a critical assessment of the history of Dresden and its citizens, it addresses also fundamental questions of peace, humanity and our own responsibilities.

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TestArt in Ljubljana: Discovering Slovenian and European performing art scene and international productions

The first study visit to Ljubljana of the European TestArt project has ended, an opportunity to meet and exchange good practices with local artists and cultural operators for the 15 partners of the European project coordinated by Consorzio Marche Spettacolo.

The program, developed by the Slovenian partner Bunker, was held during the Mladi Levi Festival 2024, one of the most important events for the performing arts in Slovenia, which has been operating in the capital for 20 years and hosts numerous events and international premieres in different locations in the center of the capital, including the redeveloped space Stara Elektrarna – Elektro Ljubljana (Old Power Station), an old power station now transformed into a cultural center and managed by Bunker.

From 29th to 31st August 2024, the participants had the opportunity to get to know numerous realities in the Slovenian territory, involved in different areas of the Slovenian and international cultural scene, including:

 

Association that promotes and supports the inclusion of women in culture. The Association for the Promotion of “Women in Culture – City of Women” was founded in 1996, one year after the first edition of the City of Women festival, with the aim of preparing and managing the festival annually. Today, the association is a multifaceted organization that focuses on artistic, activist and theoretical presentations and productions by women* throughout the year, while expanding its activities to arts education, managing projects for youth and teachers; to community building, initiating temporary communities that engage in the co-creation of art; and the connection of art and culture with other sectors, such as social, educational and entrepreneurial.

*The term women and other words written in the feminine grammatical gender are used inclusively and address anyone who identifies with the feminine gender, as well as non-binary, trans- and intergender people.

 

Glej Theater is the oldest non-institutional theater in Slovenia (and one of the first theaters of this kind in the former Yugoslavia), boasting bold performances, (re)thinking interesting production models, non-hierarchical forms of work in theater and is based on collective and socially engaged work. Active in the area for 50 years, they explore the possibilities of contemporary theater in relation to collective theatrical creation, community and the various forms that the concepts of collective and community can encompass.

 

Krušče Creative Center is a small cultural center run by Tomi Janežič, theater director and psychodrama psychotherapist, and Katja Legin, dancer/performer and choreographer. It offers an intimate and peaceful space for inspiration and creation, a place where art has its value, purpose and meaning. It creates conditions in which avant-garde art meets other contents, from live entertainment to psychodrama, from education to group work.

 

Pogon is an independent house of cultures based in Zagreb (Croatia), which makes its premises and equipment available free of charge to associations, artistic organizations and informal groups. Since 2009, Pogon, under the direction of Emina Višnić and the entire team, has gradually become an important place of production and presentation of culture and art, not only for the independent cultural scene but also for the entire cultural panorama of the city .⠀
As partners of the Stronger Peripheries: A Southern Coalition project, Sonja Soldo and Anja Pletikosa illustrated to the TestArt partners the virtues and difficulties in realizing transnational artistic residencies and productions, providing important examples of collaborations and useful feedback that can be used for the carrying out TestArt activities.

Furthermore, in the days dedicated to the studio visit, the partners - grouped according to their expressed artistic needs - began to explore ideas of transnational productions, planning future collaborations in periods of residency, as foreseen by the objectives of the project.

The next in-person event will be held in Dresden, Germany, guests of the German partner Zentralwerk e.V..

More information on TestArt is available on this website, at the ABOUT section.

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